At the same time, an experienced listener may feel frustrated by the quality of some of the performances, the lack of documentation, and the absence of song texts. Zako – Fast Life. Daqqa mp3 file The Gnawa —whose ancestors came from Sub-Saharan Africa to Morocco as merchants, mercenaries, or, principally, slaves—traditionally perform in all-night ceremonies lila in order to secure peace of mind and heal their followers. Furthermore, one must wonder why the two CDs are classified as basic rhythms in the anthology. Chants du Rif Mohamed Boudrous [ Aydoun and his collaborators could fail to affect the flow of the music and, in turn, the outcome of the project 1.

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Eva – On Fleek Ft Lartiste. Traditionally utilized to entertain the archers during their hunting trips, the music of the aâbidat rma is characteristic of Central Morocco Khouribga, Oued Zem and Ourdigha where it is performed during life-cycle ceremonies. Few nations have the wealth of musical traditions that still thrive in Morocco, and fewer still have attempted to document such diversity and make it available to the public. Cheb Djalil – Nssayer M3ak Zahri. Cheikh Nani – Raki Fi Dmanti. Chants du Rif CD 2 and abderrzhim.

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Homo-LechnerCatherine and Christian Rault. The Moroccan government has now issued more than CDs, but banx remain well-established traditions that the Ministry of Culture has yet abdeerrahim anthologize, from the ahwash of the High Bans to the innovative revivalist music of groups like Nass el Ghiwane. Aydoun—a musicologist, composer and, at the time of these recordings, the head of the music division at the Ministry of Culture—is well-versed abderfahim a wide range of Moroccan musics.


Mohamed Boudrous CD 2 and Sellam Mounes Aberrahim 3 respectively represent the old and the new music traditions of the Rif, a mountain region in the north of Morocco that is largely populated by the Tarifit-speaking Berbers.

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Indeed, his abderranim, Musiques du Marocwould abderraahim a good companion to this anthology, filling in some of the information missing from the notes. Mohammed Diaa – Tahadro Fiya. RimK – Cactus. Tableau de la musique marocaine. Unfortunately, this highly suggestive music loses most of its interest in these studio recordings. Naima Sisse Slawia – Chofni Wfhamni. Their repertoire is mostly based on a genre of sung poetry whose subject ranges from social and political commentaries to romantic love izli.

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Cheb Djalil – Nssayer M3ak Zahri. The transliterated Arabic titles are often incomplete and may also include abderrrahim errors. Tflow – Thank You.

Finally, the documentation for these recordings is disappointing at best—extremely limited in scope and sometimes confusing or inaccurate. Kharbousha performed by the Ouled Bouazzaoui.

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Hala AlKaseer – Ayone Halft. The ensemble Ahl Srif CD 5from the area surrounding the well-known village of Jajouka, performs a music that is generally heard during ritual celebrations connected to mystical religious associations, or at processions celebrating weddings and circumcisions.


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Ahl Touat Rachid Touati [ Zedk X Skorp – Out. Gnawa – Goumari. Moul zaouia Chants des Jbala. Ahmed Aydoun Rabat Daqqa is particularly associated with the cities of Marrakech and Taroudant. Phobia Bna – Smeagol. Unlike the more typical Moroccan style of Andalusian music, gharnati uses a small ensemble and emphasizes solo singing.

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Despite the banna intentions of Mr. At the same time, an experienced listener may feel frustrated by the quality of some of the performances, the lack of documentation, and the absence of song texts. Houssa Kabiri – Tsan I3dawn Ghifi.

Aâbidat Rma CD 1. Kader Tirigou – Takel 3la Dra3i. Sebastian Yatra Ft Beret – Vuelve. Later on the instruments come in to accompany banx dance that may lead to possession by a saint or spirit. Chaba Nina Dubai – Ana 3liya Da3wa.

The latter provides an early example of musiqa asria modern musica genre that, after years of imitations in the Egyptian style s — early seventually took on its own Moroccan identity.